A brief history and tips on collecting

 Collecting animation art is a fun and rewarding adventure that can bring you and your family years of enjoyment. The production art and limited editions available to collectors today strike a chord with everyone's inner child.You will be amazed at the interest of visitors as they take notice to that all-to-familiar image hanging on your wall. As a collector, you have the thrill of the hunt and the delight in finding an elusive piece or character. Best of all, it does not need to be an expensive hobby. If you're new to collecting, read on.

 The world of animation art is engaging. It's a real treat to own a piece of original production art that was actually used to make one of your favorite cartoons. The history behind the art is often as fascinating as the art itself and sometimes even more so. Whats truly amazing about animation art is that it was not created with the intention to survive. The art needed to last only long enough to be photographed beneath the camera. The finished cartoon was considered the real work of art. Lucky for us, 60+ years later, old stashes of vintage animation art are still being discovered intact.

Production art from the Warner Studios is particularly special because a tremendous amount of the production artwork was destroyed. There are 2 stories as to why this happened. The first and most accepted is the fact that after decades of making cartoons the Warner Brothers warehouse was becoming overcrowded with production art and the studio wanted to make more effective use of the space. This was back in the late 60's when it was thought that the production artwork from these cartoons had little or no value. Consequently, the works were destroyed. The art that exists today comes from the actual animators, the ink and painters, or were items gifted to studio visitors or VIPs. It is indeed tragic so we are lucky to have the beautiful works that escaped the studio and exist today. As I said, there are infact 2 stories as to why the Looney Tunes artwork was destroyed, the second story is that the warehouse contained so much paper and early cels (which were made from a very flammable nitrocellulose) that the insurance company told the Warner Brothers Studio to get rid of the clutter or face dramatically raised insurance rates. This story, although quite probable, seems to be less accepted. It's quite possible both stories are true.
 

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